The new album from Jason Pierce promises to be one of the most expansive bedroom records ever made. It's hard to fathom how its opener is all just one man, a swirling soul ballad that you can't see to the bottom of.
On Thursday 19 July, Q Magazine will host a special, one-off, strictly-limited capacity event at The Social in Little Portland Street, London W1 with James Dean Bradfield of Manic Street Preachers.
The indie stars will be supported at this year’s Roundhouse gig, taking place on Wednesday 17 October, by IDLES.
Our friends at The Social are hosting a series of special free events over the next few months. The second Prison Tan Series begins at the W1, London bar and venue this Friday, kicking off 13 Friday parties across June, July and August. As well as the free entry, there's two-for-one drinks before 8pm. The venue has teamed up with a selection of labels and bands to put together an excellent line-up.
Beach House's seventh album doesn't stray far from the Baltimore duo's trusted formula - mournful vocals laid over shimmering organs. Dive does display a slight retooling, its glacial start giving way to New Order-like propulsion.
The title track of Mark "E" Everett's 12th LP as Eels sounds like a broken nursery rhyme, sweet melodies and fluttering strings masking the song's melancholic core. A captivating return from one of indie-rock's most consistent songwriters.
Part of a multimedia collaboration with fashion brand Kenzo, Yo! My Saint casts Yeah Yeah Yeahs singer Karen O alongside Michael Kiwanuka for the sort of dread-filled duet you'd expect to find on the soundtrack to a Tarantino thriller.
The first track on Ty Segall's new 19-track album sees the prolific Californian at his most epic, summoning the spirit of Hendrix for a stroll down the Stones' Exile On Main St, all recorded with every needle on the recording desk in the red.
Although they released a collaborative album with Sparks in 2015, it has been almost five years since Franz Ferdinand released a record of their own. The title track of their forthcoming fifth album suggests they are determined to make up for lost time, marrying the spiky guitars of their early material to an old school house groove. A welcome return.
Five years after his last run around as Go Kart Mozart, former Felt leader Lawrence is back with a fresh blast of his singular brand of plastic glam pop. Its chintzy neon synths and first-pumping chorus slightly at odds with a lyric detailing the lows of mental illness: “Never cry, never laugh, don’t clean your teeth, don’t have a bath…”
Black Rebel Motorcycle Club return in early 2018 with their first record in almost four years. Wrong Creatures is an album of swampy, psychedelic blues-rock, the sort of thing the West Coast trio do best. Little Thing Gone Wild is the rattling, excellent first track from it.
Alien Stadium is a collaborative mini-album between Steve Mason and Primal Scream's Martin Duffy. As the picture suggests, it is four-tracks of out-there concept-rock, following a storyline about an alien invasion. They are "pisshead" aliens, explain the duo. This is the opener, its cosmic groove setting the intergalactic tone.