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| Influenced by My Bloody Valentine’s shimmering
feedback excursions, but underpinned with a fi nely
honed pop sensibility, Oxford’s Ride were an integral part
of the short-lived shoegazing scene at the dawn of the
90s, ultimately transcending that to become big indie
stars. |
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School friends Mark Gardener (guitar/vocals) and Andy Bell (guitar/vocals) formed Ride in Banbury, Oxfordshire, in 1988, with drummer Laurence Colbert and bassist Steve Queralt. Having toyed with the idea of calling themselves Donkey, they named themselves after a piece of art done by Gardener.
Within a year they had been spotted by Creation Records supremo Alan McGee and promptly signed up. Their debut, self-titled EP, including live favourites Chelsea Girl and Drive Blind, was released to rave reviews in early 1990, closely followed by the Play and Fall EPs, with the latter two making it into the lower reaches of the UK Top 40. Expectation was high for debut LP Nowhere, which promptly reached the Number 11 upon its October 1990 release.
The next two years saw Ride at the peak of their popularity, consolidated by well received second album Going Blank Again (1992) – which spawned their only Top 10 hit, Leave Them All Behind - and a second-on-the-bill performance at the 1992 Reading Festival.
However, as shoegazing declined in popularity and Britpop became dominant, third album Carnival Of Light, released in 1994, found them taking an ill-advised change in musical direction, aiming for a more mainstream sound. Although it gave them a second successive Top 5 album, its time in the charts was short-lived and alienated much of their fanbase, leading to intra-band tensions.
Ride returned to the studio in the summer of 1995, although the tension between Bell and Gardener dogged the recording sessions. Upon the completion of the album in August 1995, Bell quit, swiftly followed by Gardener. The band had already split by the time Tarantula was released in March 1996, and after poor reviews the album was deleted after a week.
After the split, Bell reappeared as leader of Hurricane #1, earning further chart success at the tail-end of Britpop, before hitting paydirt by joining Oasis as bassist in 1999 (having sensibly turned down an offer to join Gay Dad, with whom he’d been touring, full-time). Bell and Colbert formed Animalhouse, but despite favourable reviews failed to match their earlier success.
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Nowhere
Creation, 1990

The best shoegazing record ever.
Coming on the back of three critically acclaimed EPs, Ride, Play and Fall, Ride’s debut album found them applying melodies and a fine sense of dynamics to My Bloody Valentine-esque feedback, and still sounds head and shoulders above anything by their shoegazing peers. Opening with the soaring Seagull, and with other highlights including the wistful pop of Vapour Trail, the epic Dreams Burn Down and the psychedelic Kaleidoscope, it’s easy to see why they were touted as the future of guitar rock.
Download: Dreams Burn Down
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Going Blank Again
Creation, 1992

Goodbye shoegazing; hello sunny pop.
Opening track and Top 10 single Leave Them All Behind aside, Ride’s second album found them moving away from the guitar-driven soundscapes of Nowhere and embracing more concise, poppier song structures. Twisterella, in particular, benefits from the more restrained guitars and owes more to The Byrds than Sonic Youth. Meanwhile, the lovely, laidback closer OX4 is the finest ever song to be named after a postcode and the atmospheric Chrome Waves is one of the best songs in Ride’s canon. There’s even a Withnail & I sample on Cool Your Boots.
Download: Leave Them All Behind
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Carnival Of Light
Creation, 1994

An album of two halves
Despite the Top 5 success of Going Blank Again, Ride were starting to fall apart, and Carnival Of Light shows the fault-line only too clearly: the first half is largely made up of Mark Gardener’s solid, if not brilliant, songs, while Andy Bell’s frankly substandard material hampers the second half. A big shift in style doesn’t help, as they drop the guitar acrobatics in favour of a Small Faces-like 60s sound, a move that alienated many fans. There are still moments of quality, however, 1000 Miles and Birdman standing out.
Download: 1000 Miles
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Tarantula
Creation, 1996

Out with a whimper.
By the time Tarantula came out, Ride had already split, the tensions between principal songwriters Mark Gardener and Andy Bell evidently irreconcilable. And the album suffers for it, with most of the material sounding fairly half-arsed, though Black Nite Crash and Dead Man are passable. Gardener contributes only one song, the unsensational Deep In My Pocket, while Bell’s material is below-par Britpop by numbers. After savage reviews, Creation deleted the album within a week, although it did get a re-release in 2001. One to avoid.
Download: Black Night Crash
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» CONTENDERS 30 TO 21
» CONTENDERS 21 TO 10
» CONTENDERS 10 TO 1
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| Now we’ve whetted your appetite for these lost treasures, you’ll be wanting to download and listen to them. And luckily, the generous folk at Sony Ericsson are giving away one of their new W660i Walkman® phones to a Q reader. The W660i Walkman® phone is beautifully designed and contains all you need for a full-on music experience. It includes a stereo headset and a 512MB Memory Stick Micro™. And just record a few seconds of music and TrackID™ returns the song name within seconds. For a chance to win the W660i Walkman® phone, click here and answer the question, you could also be in with the chance to win the essential albums by each of our 30 Lost Treasures. |
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